The Phantom Stranger No. 33 Cover by Jim Aparo
In the early 70s, both DC and Marvel went to a cover format that put solid colour behind the masthead and boxed in the cover art below it. It might have made covers more consistent and easier to lay out, but to my eye it was cramped and did a disservice to the power a good cover could generate to get a potential reader to pick up the comic off the newsstand. It put production convenience and cost control before editorial and artistic decision making. Penny wise and pound foolish is another way to express it.
Case in point was this fantastic issue of The Phantom Stranger guest-starring Deadman. After Neal Adams, and before José Luis García-López, Jim Aparo put his unique stamp on Boston Brand, bringing more menace to the character than the other two did.
It was easy enough to finish off the top of the art to free it from the confines that had been imposed upon it and see what might have been. New colour and cover packaging by me.

As published.

Scan of Aparo’s original art from Heritage Auctions.

Scan cleaned up for production. Art extended at the top to free it from its original box.

Homage to the published colour.

Re-created trade dress added.

New colour version.

Alternately-coloured trade dress added.
Related
The Phantom by Jim Aparo
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Batman No. 340 Cover by Jim Aparo
Aparo shows off his penchant for monsters and horror in sharply-drawn cover from 1981. Colour and packaging by Scott Dutton / Catspaw Dynamics.
World’s Finest Cover by Jim Aparo
One of the most-dynamic adventure artists of the Silver and Bronze ages, Jim Aparo was strongly associated with Batman team-ups in the Brave and the Bold. Colour and packaging by Scott Dutton / Catspaw Dynamics.
A Batman Cover That Was Never a Batman Cover by Jim Aparo
Finding a little-known piece by a comics master is always a score. Colour and cover formatting by Scott Dutton/Catspaw Dynamics.







This is my favorite Deadman-related cover. Serendipitous that it got the Dutton remaster treatment. Now… we need to get someone to send you scans of the Detective covers by Aparo (440–443, for sure, although 444–446, and 448 are pretty great too), and a few more handfuls of the B&B covers (especially those giant-sized ones to which DC has never done justice when reprinting in hardcover).
Thanks, Dorman.
I’d be happy to do the covers you mention if high-res scans of the art can be sourced. Even better would to be paid by DC for doing them.