Science Fiction Pulps
I recently attended ConVersion here in Calgary and found a fellow selling old science fiction pulps in great condition.
Charles Schneeman
The oldest, from 1939, is from an era before we had the photo quality we get now from probes and imaging systems. So the depiction of a Jupiter-like planet and the cast shadow across the rings really caught my eye. And the understated, modern typography gridded out makes this composition sing. Just a few months earlier, they had been using the more decorative type design that had been prevalent through the Teens and Twenties.
David Pattee
Fast forward to the Fifties. We’re now living in the Cold War era and its imminent threat of nuclear devastation. This one just creeps me out, and reminds me of Dr. Manhattan reintegrating in The Watchmen.
Charles Schneeman
A bit more subtle. Chilling in its own way. Imagine sitting in the silence of the Moon and watching those flashes.
Alejandro Cañedo
As an ink guy, I like the poster quality this one has.
Kelly Freas
No nuclear threat here. A lot more gentle. Reminds me of the feeling Bradbury’s writing gives me. Instead of the romance of space opera a generation before, there is the symbology of middle America being attached to dreams of space. Stories and images like this really helped move the consciousness of the public from thinking of space flight as fantasy to one of challenge and goal.
Gaylord Welker
What I really like about this era of Astounding was the amazingly-clean design that showed respect for the image. Try doing this today in a market that has gone nuts with cover lines.
John Schoenherr
By the Sixties, science had taken firm hold of the visual language of space flight. There is no fantasy or dream here, just communication of some of the concepts which were beginning to come true.
Nat White
More than a little reminiscent of the moment of conception.
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Thanks for posting these. I tend to think of the cheezy (in a good way) 40’s pulps – with their formula of a Pin up girl, a Monster, and an Interesting Weapon – as defining the genre. This cleaner, visionary/hallucinatory approach is a revelation.
I loved Astounding when I read it in the 60s. Like a lot of pulp, the covers drew me in but there were a lot of good stories and good writers – like Asimov and Clarke there, too.
Thanks
You’re entirely welcome. I’ve read a good chunk of Clarke, and one or two Asimovs.