Syd Mead, futurist designer, has few peers in the fields of industrial design and commercial illustration. And he accomplished all that before he worked on Blade Runner.
This year, a new edition of Blade Runner was released, and it included a Spinner model that was much closer to his original concept illustrations than what was actually used.
I created a scene with the model to see how it might have looked.
Syd Mead’s illustrations show a darker, sleeker Spinner that would have blended into the landscape a lot more than the brighter blue film version with flashing police lights
The filming model, photos by Jean-Marc Deschamps
After rigging up the model in the soft box, I set up the lights. The left light was bounced off a mirror for under lighting, and the one on the right-hand side was for basic modelling.
I took a variable-intensity multi-LED light and made a mask for it, fitting coloured gels to the openings to mimic the reflection of city lights. A cheap single-LED flashlight was for highlight effects. It’s blue tint would add some colour to the grey of the model.
Source image and enhanced version
Inserted into a scene from Blade Runner
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Syd is very cool.
Once in his studio, I pointed to a painting of a spaceship and remarked “that’s a fountain pen” …
He turned to his assistant and said “great, now we have to kill him and hide the body.”
Good to see you escaped.